Tuesday, May 28, 2013

The Future, The Tent, and the Job Story

Hola,

So today was interesting. 




The Future

I had a conversation with an agent I met in France who loved my directing reel, and is with a named agency. I will soon have an agent. That's pretty awesome. But he was trying to persuade me (for an hour) to ditch the short film world and move to features. Well...

I turned him down. 

Why? Why you say?

it's simple. I don't think I'm ready. I am being honest. Know how much work goes into making a short film? A lot. So take that, triple that by 700 and that's work on a feature film. I personally think I need one, or two short films to really be prepared to make the leap to feature film making. So...

The Tent

Changed the ending and added a new person to our super small cast, Madeline Kretchman. She read the revised script, and loved it. So she's in. Still looking for a dad. Mid 30's, blonde/brunette. Good looking, because let's face it, the rest of the cast is pretty damn good looking.

I'll be scouting some profiles later. Thinking about crowdfunding the movie. still weighing options actually. Anything could help.

Also need to make an appointment to meet up with Alexander Miller. Have you seen his demo reel? Brilliant. Absolutely brilliant.

The Job Story

I was let go from my job officially a week before I left for France. Why? Still beats me. But what was told to me was that I "Blogged negatively about the company" and when I asked for proof, nothing was given and I was subsequently let go. The end.

Seriously, that's what happened exactly. Now I'm actively looking for a job, if anyone has one or knows of any. I would rather not do banking, but anything works at this point.

Hope your Memorial Day was great/safe/fun filled/ family filled. I hate hearing about drunken driving stories, but I am glad that none of you were involved in them. Have a great great awesome, super spectacular week!

Thursday, May 23, 2013

The Post Cannes Hangover

Well, I made it home. Back to the U.S. and back to reality. I didn't particularly sleep on the flights home. I think the Train Ride did me in for sleeping the entire 5 hours of it. Then again, I can sleep anywhere.


So I looked through a ton of emails. We got a lot while we were out of the country. It was nice to get some messages from other filmmakers while we were there. I looked through a ton of the business cards, and sorted them all. Industry professionals, directors, writers, producers, actors/actresses and I started emailing them. I have a request for a script based on a project I pitched so my focus, when not looking for a job, I have buried my ink pens in my notebook and trying to get the script outlines finalized so I can send them to Claudia and we can get busy on the work.

Jobs wise, I went with Dan Weecks today to a few places for possible jobs, and also my fantastic friend Tara hooked me up with a place. Hopefully something comes out of them. 

Also, thank you Paula for the resume. I will fix the rest of it. You my friend, are nothing short of fantastic.



I am currently writing a prequel to The War. As most of you know, financing is scarce right now. So since we have two episodes we are going to shoot a prequel to round out the 3 and seek financing from there as well as TV festivals which have deadlines coming up at the end of June.

Yes I would LOVE to run a summer camp for a week. It would be fun. And awesome. It would be worth pursuing.



My next short film, I'm hoping to shoot in July. Ideally I would like to shoot and edit before the Sundance Deadline on Aug 28th. I really want to submit for that. I am sticking to a strict 15 minute total runtime. So before I shoot, I am visualizing everything in my mind so when we go in, we can do it all in that time frame. I would like to have visual design on the above logo. Like make the title cool. Have the N in Tent, as an actual tent with light streaming from it. 

Surprisingly, I'm not tired. Wide awake. I didn't sleep but two hours last night which means I'll collapse today. I'm still high on Cannes. A few of the filmmakers I've met has friended me on Facebook, and that makes me feel good.

Honestly I am going to work harder than I've ever worked. I want to be at Cannes again, but I honestly want to try and shoot for the competition next year. Lofty goals, but hey, what are we all working for if we don't have goals. Sundance too. In the competition. And many other film festivals. I want to get into many and win awards for the next film. I'm a dreamer. What can I say.

I plan on blogging regularly again, so thanks for taking 3.5 minutes out of your day to read my craziness. Hope all is well. Always happy to answer questions and am always here for each of you. Seriously. Love you all!


Tuesday, May 21, 2013

Cannes day 5, the last and laziest one


So today, for the first time since I got here, no meetings, conferences, or anything else. So I slept in until 10. More like laid there and let my body rest. 

Got up and made it to the Palais, and was given a ticket to a screening of Le Passé. Since that was a competition screening, I got to walk the red carpet. Not fancy wear, but I was dressed nice enough. I didn't get to take photos. Was enjoying the moment. 

So that was a great movie. Again, learning so much. My next effort behind the camera will draw from all of the new Influences when we come up with a shooting plan soon. Plus time limits and knowing what to keep and what to cut or how to condense the story and still have it make sense (much like I'm going to do for the Last Dance).

I went to some screenings of short films on the SFC and I walk away impressed every time. Some of them are just fantastic. I'm still relatively new, and I just soaking it all up. 

Films that impressed me today:


Both really good. I love standing by the big board as directors put up new fliers and talking to them. Promising that I will in fact watch their film and email them. I must've gathered another 100 to 200 business cards and fliers just in the 3 hours I was in the Palais. 

I got a few souvenirs for Jordan, Damien, Destiny, and Demitria (Jordan's mom) and I was bummed that the scarf I wanted (Cannes scarf) was all out. I'll look on ebay. I don't really need souvenirs though. My brain is full of memories and friends. 

Finally I walked to the train station, past my favorite Cannes spot one last time. 


A few Filmmakers (i am totally bad with names) who I recognized, bought me shots and we laughed and I walked to the train station. I ran into a guy from Syria who had just been pickpocketed, police report in hand, and gave him the last euros I had so he could get back to Paris. Nice guy. Feel really bad for him. 

So that's the end. Here's a recap of the trip:

1. Be nice to people. You never know who you're going to meet. 

2. Dress nice. 

3. Chuck Norris is a camera hog. 

4. Be confident in your work. 

5. French women, oh la la. Same for Italian women. Yes. 

6. Sandy thinks I'm going to marry a New Zealander. Totally would. They are hot. I like Italian too. 

7. I have to work smarter, not harder. Planning is essential, but it makes more sense when you have a definitive plan. Once the script is set, like The Tent, let it be, no more suggestions. Be confident. 

8. The War - will continue. We have a plan. Editing is underway. 

9. We want to hold another big screening in August. Both episodes of the War (and a prequel) What Actually Happens, hopefully the Tent and some of our other companies we've worked with (Missing Link) will screen their work as well.

10. I have 6 film treatments to prep and send and talk about the next step in my career, as well as talk to an agent that liked my work. 

11. Cannes was amazing. I know what direction I want to move in next with my career. One or two more short films and then features. The Tent is next, and I had an idea for another while I was in Cannes. A black/white short film, but with an adult. Haha I do a lot of kid productions. 

12. Move Future Legend Productions, into the Future. 

13. Definitely blog more. 

14. Find a girlfriend. Traveling alone is kind of boring. 

15. Love what I'm doing and be content with life. Work hard and stay the course. I'm on the right path. 

16. No more editing or doing cinematography on my own projects. I think a fresh, none biased eye will make a difference. 

17. Fair la biez is my favorite French greeting. The two kiss on the cheek. 

18. Learn French, Spanish, and Italian in the next year. Also make Jordan learn as well since he wants to come to Paris next year as well.  

19. This train station at Paris De Lyon, is the most beautiful train station I've ever seen:


Thanks for being a part of the journey. I 
Hope you've enjoyed reading it as much as I've enjoyed it and writing about it. 
I'm headed back to the U.S. now. 


This bag has seen some miles in the last 13 years. May be time to trade it in. 

Monday, May 20, 2013

Cannes, Day 4

Half of my trip has just been me staring at a map. And walking and getting lost. And laughing to myself. And talking about "this would make a great story," but I'm assuming it happens to everyone.

So after getting lost this morning, I saw Sandy and Kathy at the Train station. Said bye :( and then went over to the Palais. It was quiet. So I took the opportunity to go to the screening area, grabbed about 12 fliers 


And went to watching short films. I must've watched about 50 today overall between the small screening booth and the screening rooms. Fortunate to be in the area at the time (more on that later).  I made sure to email the ones I saw in the booth, and stay behind and talk to the filmmaker about their film. Always lending a kind word to them. 

The best thing about being here and having access to the entire film catalog:

Learning. 

Like I have watched every type of short film possible. And each time I take something away from them. It blows me away really how much great stuff is out there. Doesn't discourage me either that tons of them are really damn good. Makes me want to work harder than I already do. I won't ever pretend to know anything really. Always room to learn. One thing I have figured out is that I will never touch a camera again. Ever. Like I don't want to do cinematography. There are people out there that are simply fantastic at it. I know for my next film I found someone who I believe is a game changer. 

So Filmmakers, I can't stress enough how important it is to talk to everyone you meet. And to be nice. Aka not an asshole. You never know who you will meet. I've talked to everyone. Garbage man. Security guards. People standing there. French. American. Brazilian. British. Chinese. Italian. German. Korean.  If you are able to talk and your hands work, we can talk and you can take my business card and vice versa. I have collected nearly 700 new contacts/friends in 4 days. I can't stop talking to people. This is just half:





That's how Met a lady from Paramount. Being myself, laughing. Telling jokes. Hell why pretend to be someone else. I gotta be me, and so far it's working out. I've been asked to submit a treatment (a long form thesis of a project you want them to read). And I will. Soon. Like as soon as I get to my laptop. 

Also, don't look like a bum. Sure you're a poor filmmaker, oh boohoo, but you can wear a nice shirt. Pants. And look presentable. I don't particularly like the look, but it has served me well. This is Cannes, not a country back road film festival. Any film festival you're also selling yourself. Keep that in mind. 

I ran into Malcolm again, kid is cool. Really cool. The American Pavilion has been memorable. Like I've met incredible people there. Don't be pushy. Just talk and casually bring up what you do. It works. 

The Last Dance wasn't supposed to screen. We didn't understand how the screening rooms worked as we thought we had to pay. And that wasn't the case. You reserve them. As I was in the screening area today, someone cancelled in the 12 seat theater and the lovely French woman was like we have an opening and no one waiting. I was like "um I'll take it!!!" So I jumped on it. More in a bit.  

So from my screenings today and being around the Palais, these are a few of my favorite moments: 


1. The last Rose - two Brazilian students made this. And I loved it. Black and white. Subtitled. Beautiful. We are now friends, they are wonderful girls. 

2. "82" - 6 minute short. Holy crap is this amazing. Really beautiful. Well shot. This thing blew me away. The kid lives and works in London. Yep. Awesomeness. 

3. The Marche Du Film sign - love. 

4. Ultramarine - British film student movie about depression. Damn thing made me shed a tear. So good. So brilliant. Cinematography was excellent. 

5. Lapsus - I think this director may think I'm stalking him, but I just love the movie. 

6. Titanio - this girl was in my pitch class and she was brilliant, as is her film. Best gift at the festival by the way: 


Full of candy and a small story. Gives me an idea of what I want to do for my next film. 

7. The pastries - yeah I gained 1 of the 10 pounds I've lost. (No joke, I've lost the equivalent of a 4 week old baby). 

8.  People- they beg for tickets out in front of the Palais. 

9.  People part 2 - paparazzi camp out for  hours to get a shot of a celebrity.

10. I tend to forget how obsessed some people are about celebrities. Like just to get a glimpse. We had to walk a mile out of the way to get to the other side of the Palais today. 


So the Last Dance screened. I originally had 12 people sign up. 27 total showed up and jammed into the room. People stood, some sat on the floor. I was shocked. 


Afterwards, we got a standing ovation. Like everyone said it was amazing and that we must've had a huge budget and I was like, um no. It was only 15k, which isn't a lot. 

Best parts mentioned numerous times:

1 the kids - all of them. Loved you all. They kept asking about them and how is it working with children.
2. costume design - you, Haley Peterson. You rock. 
3. How long did casting take, they all look similar. 
4. The production value was amazing. 

And my favorite...

5. What are you working on next?

By far An amazing experience. We, yes we Arizona, had a movie screen at Cannes. I was approached about distribution  afterwards, but we need to cut some minutes out of it. 

Talked to Touscoprod today. That was great. They are a crowdfunding platform. Really great. 

Honestly. I've met so many great people here. I can't imagine what would've happened if I didn't come here to Cannes. My life is changed forever. My love of film is reinvigorated. I just enjoy it. I want to do more. I want to get better. This just pushed me into another level of motivation. 

Finally, tonight's dinner was at a place called Le Grill, in Nice. I had la piece du Boucher covered in gravy, a salad, a piece of chocolate cake with coconut sprinkles, and two bottles of the mini wine. 

Au revoir. 

Tomorrow: Cannes day, 5 the finale. 

Sunday, May 19, 2013

Cannes Day 3

So today was another wonderful day. Filmmakers: sign up for as many seminars/conferences/networking events as you can when you go to festivals. If you can't get in, go anyway. Try to do as much as you can. Also talk to everyone. 

I had a breakfast with industry professionals this morning to talk about distribution of The Last Dance. Great info. Lots of great info. Will be talking to a
few via email about it later. (The view from breakfast) 



Forgot to mention that I saw Emma Watson at the Palais the other night. I swear she looked at me. 



We spent a lot of time in the American Pavilion today. Best part, we met a US distributor/acquisitions who has amazing titles under her belt. We also met a few Filmmakers (one won an Emmy last year) and they were just so nice. 



Take Business cards from everyone you meet. Every card I have grabbed (nearly 700) they will get a personalized greeting from me, next week once the festival has been completed, as I want to keep in contact with them. What's the purpose of grabbing a card, just to have it? No. Network. 



We saw a lot of small screenings today. "Touch," and "Doors," and "Hypothetically," and "Exit," and I think that's it. Best of the group, Touch, and Exit. Both amazing. 


This was happening as we were downstairs:



Really a lot of interacting with other short Filmmakers. Was asked to partner up with a Philippine prodco today. That was cool. Went to a meeting on crowdfunding. Kickstarter, Touscoprod, and an Arabic crowdfunding platform spoke. Pretty cool info. 

Everyone that has heard of our company, Future Legend Productions, said the name is brilliant and unforgettable. They love it. 

Just missed Jennifer Lawrence. 



Not much after that. Know your area people. It will save you time. Like Cannes. The buses stop running early on Sunday. I had to walk 9 miles to get back to my hotel. Would've been a lot quicker, but Chuck is a complete camera whore. 

Tomorrow I have a meeting with Touscoprod actually. Cannes Day 4 will be another great one. 

Saturday, May 18, 2013

Cannes, Day 2

So today was awesome. Got up, made my way down to Cannes from Nice. Got to Cannes and it just started pouring. Badly. Like someone was throwing buckets of water on you.  Yay. 

I got down to Cannes for breakfast with Sandy and her sister Kathy at 8. They didn't answer their phones. So then I went to the American pavilion. Now this place is for Americans to connect and feel at home, sort of. Except they don't accept American money. In the American pavilion. I was hungry and no euros. So I had enough for a coffee. Which was good because it was freezing. I sat there for an hour and then got up and went to the Short Film Corner to mingle. 

Wise choice. 

No one was there at 8. I went in and watched other Filmmakers short films. Then I went around and talked to the LA film commission. A few companies that buy films (specifically short films) and got them interested enough to watch The Last Dance. 

Then I hung up our posters. 


Which was awesome that there was even space for them. Then I waited for Sandy, still nothing. She overslept and missed her seminar. Traveling forward in time messes you up. 

So I went to the Pitch Training. Where they teach you to properly pitch to companies. I took notes. Lots. And waited to pitch In front of the crowd. It was nerve-wracking. You may not believe it, but I'm notoriously shy. 

So I got on stage. Took a few breaths, and pitched the movie The Tent as if I were in front of producers. 

Now after everyone's pitch, the moderator would come on stage and solicit feedback from the crowd. He then would give feedback. There was none from the crowd. My pitch, was spectacular. The moderator only had one suggestion, smile more. Said it was one of The best pitches he had ever seen. 

Apparently, he wasn't the only one. A company that had came by, approached me about it afterwards. Don't want to jinx it, but thy were amazed. I'll leave it at that for now. 

So Sandy finally showed up. We took photos in front of our posters 


And we had a blast. Amazing really. Best part about the corner, meeting new filmmakers. I have met over 600 Filmmakers. Loved Meeting them. We were invited to a small screening of this stop motion project called, Creamin. Loved. It was spectacular. It's all part of the networking. Two more tomorrow.

I went and took a nap on a table in a crowded room afterwards. 

From there, we walked the city. In the rain:


Then we went to dinner, thanks Kathy for dinner.  I'm always down to try new food.

Escargot, chicken with lavender honey,  lemon and olive oil. And for dessert chocolate cake with creme anglaise.  


Now. Relaxing before bed. 

It's been a long. Great day. I know ok vague about who approached me about my short film, but know once something is in place, you'll know. 

Tomorrow: Cannes day 3. Breakfast meeting with several film professionals

Salut! 

Friday, May 17, 2013

Cannes, yes. Day 1.

 So the day started out crappy. Stupid trains. Hotel so far that I probably won't spend much, if any time there. I am kinda pissed about it. They told me it was near
The train/beach. It's 10 miles north. BLAH. 

So I got into Nice and one of my longtime friends met me here:




She was in Italy and came up. Worked out because she had a friend from London here and they met up. 

Finally got to Cannes via the train. Let me explain how breathtaking it was.  Like a million little breathtaking moments jammed into one big moment. Yeah. I need new lungs. 

Red carpet:

Amazing. All the stars and premieres here. I am not even trying to get into premiers.  

So for any filmmaker, first thing, go get your accreditation.  You enter the Palais, and go down to the check-in counter. You get a swanky badge like this

Both my sister and I! And we got a "swag bag" 

Full of books and blah blah. Now the next
Thing, we went to the American Pavilion. Lots of Americans here (cost a fee) and I already lost my badge. Haha. I have to get a new one tomorrow. Great networking. Met Malcolm Baity here, I wrote a letter to get him an internship here. Wonderful kid



Saw Tobey MacGuire come out of a hotel, passed right by him. 

The big discussion here: lack of black Filmmakers. (Which bodes well for me actually) but the biggest problem is, less than 1 percent of the Filmmakers here are black. But that's because not a lot choose to direct. Again, bodes well for me. 

So from there, I went to a Film Score symposium. Amazing. What they did is, they brought in a live orchestra, put a scene from several movie:

Girl with the pearl earring
Harry potter and the deathly hallows
Twilight (blah) 
Etc

And what they did is, the original composer played the score first to the actual scene as it played, and then other composers played their rendition of the score. I was amazed. Like blown away. I want my film scored like that someday. 

From there, I walked with Sandy and her sister Kathy (my sis too) an we walked the palais and also the beach. Gorgeous. 



And there were for the festival, like places for us to be (this is where each country has a tent you can go into and network with your fellow countryfolk):

Finally I saw this, and loved it


A two story carousel. Fantastic. 

So the train ride back to Nice, met 4 amazing Australians:

Made the train ride funnier and amazing. They invited us to Monte Carlo and its so far we can't go. :( Damnit! 

Now I just got lost again on the way back to the hotel so I'm writing this blog. Haha. Also I'm going to French drunk tonight. And I have early meetup for breakfast before the meetings start. I have to get a new badge. Tomorrow I have a pitch meeting and then I'm going to different production companies and pitching movies. (Prayers that they buy one, or all). 

Note: I had nothing to do with the jewel heist here. Maybe. Interpol! 

So that's Cannes day 1. Tomorrow is more intense. And oh yeah, I dressed up. 



Tomorrow: Cannes day 2. 



Thursday, May 16, 2013

Paris day 1

So I landed in Paris, local time 1:40, Arizona time, 5:40am. I slept like 2 hours on the plane. Um hello, all you can watch movies!!!! So I watched:



Hansel & Gretal witch hunters - not as bad as everyone claims 

Live free and Die Hard - again, I saw it in the theater and loved it. I laughed so hard in a few parts. Glad they had complimentary earplugs. 

Wreck it Ralph - um video games plus John C Reilly. 

I've flown first class, but never international. 3 course meal at midnight. Plus wine (no joke I had like 2.5 bottles by myself) and movies. I wrote a bit. 

I got off the plane, now if you don't have euros when you get here, well you're like me. I won't do that again. Next time prepared. That line was stupid long. 

Got my first Chuck photo from an airport lady who was asking question about ads and stuff. Score. 

The train to see the Eiffel Tower was a pain. Took an hour, but then again I'm an idiot. Totally worth it. 

I stayed there for about 2.5 hours walking around soaking up the beauty that it is. I'm in awe. Seriously. I stopped and had this delicious treat:

So, question, white people. Why have you been holding out on the Nutella business. That crepe plus Nutella, holy Santa clause crap. Amazing. 

I've been asked if I'm a "futbol player" at least 20 times. I should've dressed like a bum. 



I don't speak French but I will say this, a smile and basic greetings will get you far. People are more willing to be nice to you if you try. Plus I keep squeezing their butts and saying OUI. I kid I kid.  

Finally I'm on the way to the Paris Austerlitz station to catch the overnight train from Paris to Nice to start Cannes. Disappointed that my cab driver doesn't drive like a maniac. He's normal. Ugh. 

This place is gorgeous. I am fairly certain I want to come back so I need to work harder this year and do this again. I'm going to take a year of French lessons and also another language. I would like to learn as many as possible. 

Next stop: Cannes